Bombarded by a steady stream of data, demands, and decisions, she felt fragmented—uncertain of herself and even less certain of her place in the current universe. She wished that a pause button would induce a state of suspended animation, creating a conceptual place outside the fabric of space-time where she could recompose herself. In that space she would collect and consider pieces of herself. She would sift, sort, synthesize, reshape, and revise her thoughts, her life, and herself there.
Saturday, May 19, 2007
Of Design & Dragons
The other day, I stumbled across a cartoon that has absolutely captivated me: Jane and the Dragon. There is something romantic about castles and dragons and princesses, and the content of this show is fun and uplifting, but more than anything, I'm entranced by the aesthetics of it. The breathtaking, artistic rendering of the characters and the way that the static expectations created by the colored pencils are broken by the animation are intriguing.
Sunday, April 29, 2007
Who needs the P or the D anyway?
However, I think that worried her, so she offered me her D as an alternative. I decided I didn't want that because "D" is for depressing, desperate, destruction, disasterous, destitute, etc. I already have plenty of D words in my life. It could stand for "diligent," but I haven't really been all that diligent. Down with the D words!
So, she agreed to keep the D. Finally, she got around to offering me the P. I was very happy with that. I decided that if I WERE ever to finish this silly degree, I would plaster my office with purple Ps . . . for words like possibility, plethora, purposeful, pedagogy, practical, perspectives, perspicacious, etc.
At the end of the conversation, I decided that the university that just hired me probably wouldn't let me keep my job with only an H, and she decided that all she really wanted was her H . . . for "hungry!"?!?!
I dare you to find sense or meaning in THAT!
Sunday, April 15, 2007
The Ants Go Marching . . .
I happened to be chatting on the phone with a friend when she suddenly expressed with dismay that a group of ants had suddenly materialized in her kitchen. Since they weren't in MY kitchen, I wasn't particularly disturbed. Besides, unless they bite, ants don't seem particularly distressing to me.
First rule of research: If it disturbs your research partner, it WILL affect your work!
My friend explained that all of the ants seemed to be focusing their attention on a rather large crumb of bread. Although we continued to chat, as our conversation progressed, she interrupted it periodically with news flashes regarding the progress of the ants (which, upon reflection, makes me wonder how engaged she was in our conversation!)
Second Rule of Research: It is just as important to observe the interaction between the subject and the researcher as it is to observe the subject and/or the interaction between the subject and the context.
Third Rule of Research: Sometimes, the most important questions are buried beneath comments that seem to require no interrogation.
I should have pondered why she was so completely enthralled by the ants. I should have posited alternative hypotheses . . . perhaps it was the immediacy of the ant phenomenon by contrast with the more physically remote phenomenon of our disembodied conversation? Perhaps our conversation was boring her, and this was a useful way to divert the course of the conversation?
Eventually, our conversation turned to the best way to help the ant visitors to understand that they were no longer welcome to remain as guests in her kitchen. After determining that stepping on them was a little harsh, she decided to pick up the crumb of bread, put it on a plate, wait for them to converge on the plate, and then transport them to a new location outside of her apartment. After several minutes, she decided that they weren't very good at recognizing implied invitations, and gave up on that approach.
I explained the manner in which pheromones help ants to create and follow trails to their food sources. I remembered my mom telling me that sprinkling baby powder (or something) on the floor would keep them away (either because they couldn't smell the pheromones to cross it, wouldn't cross it, or because it would make them sick and kill them. However, I couldn't remember exactly what the substance was or what effect it was supposed to have).
Fourth Rule of Research: A thorough literature review must include adequate documentation of the information encountered.
Meanwhile, I did recall a site I'd come across recently about getting rid of stuff (including pests). After reading various potential remedies from the site to my friend over the phone, we decided to conduct our own mini-investigation. :-)
We began with cinnamon. (I suppose she thought that would be especially humane and might add to the ambience of her kitchen?) Her exclamations certainly captured my attention, but did not contain sufficient data regarding the results of the experiment for me to make an informed decision regarding the next step in the research.
Fifth Rule of Research: It is important for the researcher to take good field notes and to share them with the other members of the research team. It is also useful to include a descriptive analysis of the data in the write-up of the research, and not just merely the conclusions it supports.
After additional queries on my part, I finally learned that the ants walked right into the cinnamon and didn't seem remotely disturbed. Next came the bay leaf. The experience my colleague had gained during the first intervention positioned her to report much richer data based on the field notes that she "streamed" to me during the course of this second intervention, "They are congregating around it." "One little guy is perched on top of it." "Now they are all flocking to it." Check. Scratch the bay leaf off as a potential remedy. Perhaps baby powder would work?
Sixth Rule of Research: It is much easier to state the Rules of Research than it is to adhere to them.
After a few of the ants coated themselves in it with minimal effects, we decided that perhaps we should move on to other sources. I began reading the comments that other readers had posted on the pest removal page. We spent quite a bit of time giggling at the mental images of little ants trying to cross detergent-filled moats, exploding from eating instant grits or molasses, or being sucked up by the "roomba" vacuum that the descriptions evoked. We finally decided that chili powder made a lot of sense, so it became our last experiment before my friend went to find her shoe and her vacuum.
Transcript:
"Ohhhh! The chili powder!" "Well, wait, they're coming toward it." "Hmmm." "Well, one is walking through it." "Hmmm. They don't seem to, well . . . no . . . now that one is acting a little crazy. They are all leaving the cinnamon except the one little guy who seems to like it, but they are all fleeing the chili powder. They seem to like the bay leaf though."
Findings:
Ants seem to have an aversion to chili powder that, with sufficient exposure, can become a fatal allergy.
Interpretations/Discussion:
Doctoral students who have too much to do, are not getting enough sleep, and are looking for distractions can find "research" quite fascinating if you pick the right topics!
Who?
Who do you share your mind with when ideas leap and play?
Who do you bare your soul to when heartache cracks it like dry earth?
Who do you reach for with your eyes to tell you what you're worth?
Cherice Montgomery, April 2007
Saturday, February 24, 2007
Shifting Paradigms . . . Again!
On a practical level, those thoughts have changed the questions I ask. Instead of saying to myself, "What am I going to teach today?" I've moved to asking, "What are students going to do today?" That moved me much more toward the idea of student-centered instruction. However, since that time, I've started thinking more about the importance of experience in learning. That has transformed my question to, "Why should it matter to students?"
Yesterday, I realized that I might be on the verge of still another shift . . . . what if instead of focusing on knowledge, we focused on needs? Teaching to their needs is very different than teaching a set curriculum . . . which, if the goal is that the curriculum reflect the field, shouldn't ever be all that set anyhow because the field is always shifting and changing.
So now it becomes a question of integrating the students into the experience and the experiences into the students. And THAT leads me to ask why we spend so much time "creating" experiences when there is a whole world out there just waiting for us?!
Wednesday, February 21, 2007
Conversations Make It Real?
I was reading Danah Boyd's latest post in which she muses on the ways that the "public performance" of our lives in socially networked spaces change the "reality" of our experiences. I love the quote with which she begins her post and it makes me wonder if this isn't what makes the Web 2.0 world go ‘round:
Sigh. Probably another conversation I'll never have . . .
Tuesday, February 20, 2007
Universes In Translation
Back to my point, though . . . take hypercubes, for instance. Their "truthfulness" is elegantly obvious . . . intuitively, you can "feel" their realness . . . yet so much of our understanding of them is veiled . . . in that fourth dimension, in those pesky mathematical symbols that I don't understand . . . (and it suddenly strikes me that symbols seem to be a principle way of conveying truth, making it more accessible, and transmitting it, as well as a major means of obscuring it from prying eyes).
And so for me, it becomes an issue of learning multiple languages . . . I cannot understand the math without recourse to visual representations which immerse me in the aesthetics and the geometry of the principles . . . and I cannot understand those without recourse to prosaic explanations. So in order to pursue truth, I have to work across and through at least 3 languages (art, discourse, and math), pursuing all three through multiple pathways, all of which will hopefully converge (as they did in this article on Electricity, Magnetism, & Hypercubes--an article in which I finally see that a hypercube is simply what 3-D space looks like when you add the dimension of time--like Step 4 shows in the video Imagining the 10th Dimension. All the lattices that I've been fascinated with lately--vedic math, lattice math, the axonometry image used at the bottom of this page, and Drawing Gravity in 3 Dimensions--also are suddenly relevant, as are the thoughts in Godel, Escher, Bach and my triangles (Pascal's triangle, the Sierpinski triangle, etc. This stuff is finally starting to connect and I cannot WAIT to see where it will lead me!)
I'm captivated by this thought of translation . . . and that of translating all these ideas and experiences into social contexts and situations. Then I wonder if that isn't exactly what is happening through social software such as del.icio.us and social networking sites like Facebook? Lattices (a.k.a. networks) are being created across dimensions of time that are generating electromagnetic (a.k.a. social?) forces that have physical and social consequences. I wonder if anyone has studied the geometry of social networks to see if patterns like hypercubes emerge? ;-) I wonder if anyone has thought about how sites like Facebook are actually networks of translation?
Perhaps I should give Malcolm Gladwell a ring and let him know that I have stumbled upon the concept for his next book . . . the ways in which mavens and connectors and salesmen thin-slice not only domains or people's nonverbal expressions, but also conversations across those domains AND conversations . . . and then package them and deliver them to the masses through social networks that are really just multiple hypercubes! Maybe Madeline L'Engle was more on target than anyone could have possibly realized?! ;-) It must be getting late b/c I am getting very silly!
Tuesday, February 13, 2007
Conversation as Improvisation
So why don't people improvise more often? Improvisation can certainly have negative connotations (as in situations where one has to improvise or "make do" because one lacks sufficient resources of some kind or another). However, I find that I tend to associate it more with a competence that yields flexibility, fluidity, and spontaneity. In order to improvise, one must possess a broad, deep, internalized understanding of not only the fundamentals of a field, but also of its intricacies, its subtleties, and its nuances. One must know the rules so well that one can consistently and accurately predict the effects that breaking them (and thus, the expectations they engender) will have on one's audience. All of humor rests on this principle (of setting up expectations and then purposefully deviating from them in ways that engender a well-spring of surprise that produces an involuntary emotional reaction). One must also know one's audience.
From the point of view of the improviser, I imagine that it is most fun when one discovers someone who not only understands the improvisation one has just finished rendering, but also has the competence, sensitivity, and wit to reply in a meaningful, but novel way. This makes me wonder about conversation as a form of improvisation. What makes some conversations so much more satisfying than others? Are fabulous conversationalists those who bring tremendous stores of knowledge to the table--both in terms of the topics of conversation and also of the audience, context, and culture of the conversation? Or is knowledge less important than finely honed observational skills that allow one to recognize opportunities within the conversation for novel contributions, recursions, or new iterations? Or is it simply the flexibility that such knowledge, skill, and understanding provides that makes it work?
Whatever the case, scintillating conversations are unmistakable. I always know when I'm having one, and it is easy to recognize when others feel they are engaged in a similar experience (irrespective of the actual content of the conversation).
So, once again, I raise the question of improvisation. Are scintillating conversations merely the product of skillfully manipulated elements and patterns of conversation? Are they the result of agile and flexible participation? Or is something more aesthetic in nature at work . . . a sensitivity to natural rhythms, the ebbs and flows of the tides of a conversation, and an ability to weave balance and harmony into the composition? Certainly there is an element of risk involved in improvisation . . . a willingness to let the composition emerge, unfold, and guide. There is also an element of play at work . . . a willingness to experiment, to explore, to be surprised by one's own discoveries, and to pursue them to see where they might lead. That requires tremendous confidence (or a strong sense of security).
Perhaps we don't improvise because we don't feel competent enough, confident enough, or safe enough to do so? Yet, in some ways, isn't improvisation what leads to some of the most creative and amazing breakthroughs in science, in art, in mathematics, in poetry?
Things of Eternal Consequence
On the other hand, the connotations of each of those three words (teaching, learning, and living) also imply that I have undergone a powerful transformation--one that has helped me to reframe my role as a teacher, students' roles as learners, and the purposes of the time that we spend together each day.
I think about Deloria & Wildcat's Power and Place and their insistence that we should consider every action through the lens of the impact it will have seven generations after it is initiated. I think of Tom Barone's book, Touching Eternity, and the impact that the teacher whose career it chronicles had on the adult lives of his students. Then I think about the people and ideas that have most influenced who I am, what I value, and where I'm going. How do I actively invest my time in building relationships with ideas, people, and things of eternal consequence? How do I use my personal influence to purposefully design places and set aside times and spaces that will catalyze, nurture, and sustain such work? What would happen to my students if I could accomplish that in ways that riveted our mutual attention on the joy of living instead of on the task of learning or the responsibilities of teaching?
The trick is developing a sense of discernment sharp enough to distinguish what matters and what does not. Saying is different from seeing, and seeing is different from doing. Saying that things of eternal consequence matter is a far different endeavor than seeing which things those are, and identifying things of eternal consequence is far different from knowing what to do about them once they have been named.
For me, I suppose there is a simple pleasure in recognizing that the words I chose represent at least the beginnings of an enduring personal transformation!