Bombarded by a steady stream of data, demands, and decisions, she felt fragmented—uncertain of herself and even less certain of her place in the current universe. She wished that a pause button would induce a state of suspended animation, creating a conceptual place outside the fabric of space-time where she could recompose herself. In that space she would collect and consider pieces of herself. She would sift, sort, synthesize, reshape, and revise her thoughts, her life, and herself there.
Saturday, August 20, 2005
Of Needs & Needing
Sunday, August 14, 2005
Reality
Thursday, August 11, 2005
The Color of Joy
Tuesday, August 09, 2005
Smiles
Monday, August 08, 2005
Foreground v. Background
As our eyes, minds, and hearts/emotions/spirits travel over what is in the picture and work to make sense of it all, they privilege certain elements of the composition, foregrounding some, which has the relativistic effect of causing others to recede (regardless of their "true" position in the picture).
The way each picture is "framed" (think perspectives here) also makes a huge difference as to what appears to be foregrounded, etc.
So the resulting composition is as much a product of the position of the viewer and of the forces the different "pieces of the view" exert on it as it is of what is actually on the canvas. The interaction of the various elements is dynamic, not static, and may vary depending on the nature, intensity, and angle of the light hitting it at any given moment.
1) The physical senses, the mind, and the emotions each exert a force on our physical reality.
2) Because the mind, the heart, and the senses are connected—when one exerts a force, it affects the others—and because the elements of our physical reality are connected, when a force is exerted on one element of the reality, it affects other facets as well. If forces are exerted in disproportionate ways, they have the potential to distort the resulting picture.
3) Our thoughts and our choices control, to a great extent, the type, amount, and recipient of the forces.
MY AHA :
Perhaps balance (in art, in life, in relationships) isn't so much about the quantity of A vs. B vs. C as it is about composition, position, and perspective!